Friday, January 29, 2010

1 Avatar - out of this world Joe Viglione 15
2 Mott The Hoople Live, October 2009 Joe Viglione 9
3 JOHNNY RIVERS at Lombardo's in Randolph, Massachusetts Joseph Tortelli 35
4 THE REMASTERS: THEY SHOULD HAVE KNOWN BETTER Joseph Tortelli 82
5 Rare Beatles / Bobby Hebb tape Joe Viglione 30
6 Fox Pass...I Believed Moments Nancy 39
7 Remembering Frank Kerr / Frankie Venom by Gary Pig Gold Gary Pig Gold 77
8 Phil Lesh audio book "Searching For The Sound: My Life With The Grateful Dead" Joe Viglione 41
9 Ben Orr of THE CARS and THE GRESSHOPPERS: A Tribute and some reminiscing Joe Viglione 57
10 Andy Warhol - cover of Gemmzine Hard Copy Vol. 1, #1???? Gemmzine Editorial Board and Writers 12
11 R.I.P. John Kalishes - Mirage CD Lisa Ralphs 52
12 Rita Coolidge, an Appreciation Joe Viglione 28
13 Dickie Peterson: An Appreciation of Blue Cheer Joe Viglione 91
14 The Jim Morrison Scream by Harvey Wharfield Harvey Wharfield 39
15 MOTOWN SPECIAL on PBS Shout Factory Official Press Release 11
16 The Marvelettes Joe Viglione 18
17 GENRES: Girl Groups vs Space Age Bachelor Pad Joe Viglione 12
18 The Ronettes: Ronnie Spector by Joe Viglione Joe Viglione 22
19 Shirley Alston Reeves and The Shirelles Live In Medford, Massachusetts Joe Viglione 49
20 Cracker: Bred for Endurance by Lisa Burns Lisa B. Burns 382
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Cracker: Bred for Endurance by Lisa Burns PDF Print E-mail
Written by Lisa B. Burns
Sunday, 27 September 2009 11:54

Lisa Burns essays on Cracker's new CD SUNRISE IN THE LAND OF MILK & HONEY on 429 Records


Cracker Cracker: Bred for Endurance

By: Lisa Burns

Sled dogs are known for their endurance and speed. Cracker is a sled dog. Leader of the pack, David Lowery, has been known to introduce the band with, “Hi, we’re Cracker, we’re a rock band.” This simple statement speaks volumes. They are not alt anything, not emo, shoe gaze, or indie, aside from the fact they are not currently on a major label. They are a rock band who spend their days traveling in a van, sledding to the next destination, and their nights, bringing the crowds in sweaty clubs, fierce fiery (not furnaces) classic rock, played with the punch of punk.

Go to their website, Crackersoul.com and you will find their extensive tour schedule and can ease drop virtually on the discussion board for their avid fans who call themselves, Crumbs. They are a funny fuzzy, close knit family, the way rock used to be, dare I say, back in the day.

Cracker is harnessed just enough to be slamming tight, but no so tight, that there isn't room to rage. Johnny Hickman co leads the pack and is completely relaxed in his guitar heroism. His riffs draw from the deep rock well; a long drink of Page, a stiff shot of Keith. And do wah ditty, talk about the boys from New York City, Frank Furnaro (Dictators) on drums and Sal Maida (Roxy, Sparks and Milk n Cookies) on bass, prove that gown men can out rock boys.

Sunrise in the Land of Milk and Honey, their new record on 429 Records, will have you howling at the moon, cursing the state of the world, and yet still offers some perverse solace. In “Turn On, Tune In, Drop Out With Me” Lowery urges Maggie to throw her law books away and buy a little cabin in the Adirondacks, baby, we wont ever come down. If there is such a thing as, hopefully cynical, this is it. Romance apocalypse style. Forget the glass slipper girls, pull on some Hunter high water boots and wade in the water with a brainy guy who knows his way around a survival kit.

In the opening cut “Yalla Yalla (Let’s go)” Lowery wraps the decadence of war, sex and memory around each other, creating a crazy razor sharp rave up. Iraqi soldiers use the expression yalla yalla, (hurry up in Arabic) as does the girl who can't get enough, loves his anaconda, and had a lisp but man her ass was perfect. In the title track, “Sunrise in the Land of Milk and Honey” Lowery sings, I'm feeling shitty about the wreckage of my life, yet he suggests instead of dying, which is easy, if you wanna live let’s live together in boas and feathers, Weimar decadence. Visions of Germany between the wars, cross-dresses glitter and downbeat glamour with impending doom. Remember, I said perverse.

Sunrise in the Land of Milk and Honey
Cracker is a rock band. They've out lived, out lasted and out rocked many of their peers. They have a survival kit and they know how to use it. They're a sled dog bred for endurance.


Cracker and Camper Van Beethoven

Read more about Cracker with editor Joe Viglione's AMG review:

For fans of Camper Van Beethoven this music from The First Annual Camp Out at Pappy and Harriet's Pioneertown Palace is sublime, superb, and just tremendous. There's tons of material to explore on this set of concerts recorded on September 9 and 10, 2005 by a variety of acts. Sure the lighting is spotty and the imagery goes from fantastic to grainy, but "Eye of Fatima (Pts. 1 & 2)" shows the power and the glory and for those not exposed to Camper Van Beethoven -- it is instantly accessible and just plain old fun! Chant along with "Take the Skinheads Bowling" and understand that punk doesn't have to be played at a hundred miles an hour or with the volume on 11...just eight and a half and climbing. Read more here:

Last Updated on Sunday, 27 September 2009 22:36



hirley Alston Reeves and The Shirelles Live In Medford, Massachusetts PDF Print E-mail
Written by Joe Viglione
Sunday, 04 October 2009 12:18

Direct link here: http://tinyurl.com/shirellesongemm

Please note: Shirley Alston Reeves allowed us to conduct an interview, on camera, and videotape the show. The interview text and video footage will post sometime in the future as we build Gemm's unique look at Rock & Roll, from the sellers, the critics and the buyers, the core of what it is all about.

The Shirelles The Shirelles The Shirelles


Original Shirelles lead singer comes to Chevalier
By Joe Viglione/ Sitting In

Wednesday, November 10, 2004

The Chevalier Theater is spectacular concert hall which in the past has hosted a speech by John F. Kennedy as well as performances by name acts ranging from Lou Rawls to Frank Sinatra. The impressive room contains 2,061 seats with 711 of them located on the Grande Balcony, perfect sight lines from anywhere in the house and acoustics that are superb. Few in Medford - let alone Massachusetts - realize that this hall is the sixth largest theater in the Metropolitan Boston area. As the city is located about five miles north of Boston proper there is every reason why The Chevalier can and should be one of the premiere concert halls in New England. That won't happen without the support of the community.

The Shirelles The Shirelles The Shirelles

The Medford Civic Auditorium & Convention Center Commission - known simply as "The Commission" - is working diligently to bring about renewed awareness of this venue to the people of Medford and recognition to those who live and work beyond the city limits. How many of the estimated 56,000 people that live in the community have ever been in the auditorium located on 30 Forest St., right next to the Medford Post Office? People have to appreciate the historical importance of this room - a victim of the 1965 Medford High School fire which has stood the test of time and defied the flames. You can read more about the history on the Chevalier's Web Page where some of this information was obtained. Booking agent Warren Scott, president of Boston Event Works, and the company's V.P., Kevin Baker, praised The Commission when this writer again had the pleasure of being at the facility this October.

The Shirelles The Shirelles The Shirelles

John Costas, a member of that commission, walked in on Friday, Oct. 29 with a huge poster for the upcoming Nov. 13 appearance of pioneering female vocalist Shirley Alston Reeves. These people definitely have a passion for the room and are working overtime to insure that the venue, placed on the National Register of Historical Places, generates interest and business to keep it vibrant for current and future generations of Medford residents. The room needs the support of the community to survive. Which brings us back to Shirley Alston Reeves, the woman whose name was combined with that of the group "The Chantels" to create a title for her visionary all-female band - "Shir" from Shirley and "els" from Chantels - expanded to create The Shirelles! This is the second chapter in The Chevalier's "The Women Of Doo Wop" series which began with The Marvelettes performing in the room on Oct. 15. Artists I've spoken with ask if the room was named after Maurice Chevalier - in fact, they feel comfortable playing a room that boasts the name of that veteran of stage and screen. The truth is that "the Theater was dedicated (upon its completion in 1940) to Godfrey de Courcelles Chevalier, a resident of Medford who had distinguished himself in World War I as a naval hero and aviation pioneer."

The Shirelles The Shirelles The Shirelles

What better way to respect Godfrey de Courcelles Chevalier than to support the shows coming into the room, starting with some of the greatest hits of the early 60s by the woman who originally sang them! Burt Bacharach and Hal David's "Baby It's You" went Top 10 for Shirley in 1962 and is such a phenomenal tune that it was covered by "The Beatles" and landed back on the charts seven years later, Top 5, for Gayle McCormack's group "Smith" in 1969. "Tomorrow" was a song by the great Carole King and her first husband, Gerry Goffin. Re-titled "Will You Still Love Me Tomorrow" it was Alston-Reeves first #1 chart topper after success with "I Met Him On A Sunday" (written by all four members of the original Shirelles) and the great "Tonight's The Night." The hits came fast and furious - "Dedicated To The One I Love" went Top 3 in 1961 - a re-release by the group which actually went Top 100 in 1959 (and inspired The Mamas & The Papas), "Mama Said" went Top 5 also in 1961, while "Soldier Boy" brought the group back to #1 in 1962, an appropriate song forty-two years later with the current conflicts in Afghanistan and Iraq. "Everybody Loves A Lover", "Foolish Little Girl" and other songs - 12 going into the Top 40, about 20 titles hitting the R & B charts - make for a set that is going to be as much fun for this writer as it was when I first saw the singer in the 1970s at The Boston Garden and in the 1980s at Faces in Cambridge.

The Shirelles The Shirelles The Shirelles

Shirley has lots of familiar material, The Beatles insured that even Shirelles album tracks like "Boys" became well known tunes, and another mainstay of the British Invasion, Manfred Mann, picked up on their "Sha La La" and brought it some popularity. The Chevalier Theatre is located at 30 Forest St. next to the Post Office, Exit 32 off Route 93. (THIS IS A REVIEW FROM 2004, ORIGINALLY PUBLISHED IN THE MEDFORD TRANSCRIPT. - (C)2004 Joe Viglione is the producer/host of Visual Radio-Television, a program which is on cable television. He has also written thousands of reviews for AMG, The All Media Guide. Check out his Web site at http://www.JoeViglione.com.


The Shirelles The Shirelles The Shirelles

REVIEW OF THE SHIRELLES DVD on QUANTUM LEAP

Quantum Leap producers Kim Lyon and Gary Peet could put a little bit more care and archival information into their releases; perhaps some better edits, paper liner notes, and extensive credits would do much to add to the value of the DVDs they churn out. This particular work, Will You Love Me Tomorrow, was canceled from release, at least in the United States, in the spring of 2007. Read more here:

Direct link here: http://tinyurl.com/shirellesongemm

Last Updated on Tuesday, 06 October 2009 19:11



he Ronettes: Ronnie Spector by Joe Viglione
The Ronettes: Ronnie Spector by Joe Viglione PDF Print E-mail
Written by Joe Viglione
Sunday, 04 October 2009 12:48

Direct link is here: http://tinyurl.com/ronniespector

Genres: Girl Groups vs Space Age Bachelor Pad - watch for the article on Gemmzine

The Ronettes The Ronettes The Ronettes

Ronnie Spector's Bio -
Sat, 2 Nov 2002 12:13:31 -0800 (PST)
From:"Joey Viglione"

RONNIE SPECTOR Biography

Ronnie Spector Ronnie Spector's stardom effectively began when "Be My Baby" exploded on radio at summer's end in 1963. Her voice could cut through the quagmire of eventual husband Phil Spector's wall of sound with a unique timbre and charm that has made her a revered figure among pop musicians and a cult heroine adored by the underground rockers. Born in Spanish Harlem to Louis and Beatrice Bennett, Veronica had the distinction of being the girl her historic band would be named after. It's an important point often lost in the shuffle of rock history. The group was not called the Estellettes after sister Estelle Bennett nor titled The Nedrettes for cousin Nedra Ross, and not even the Spectorettes for the man who overshadowed the work of all the acts he produced, there was only one name possible and that was The Ronettes. Ronnie released a three hundred page plus biography in 1990, Be My Baby: How I Survived Mascara, Miniskirts, and Madness or My Life As A Fabulous Ronette. Co-written with Vince Waldren it gives the world her story from her point of view. Her autobiography says that Phil Spector wanted to call her Veronica but that she was given the name Ronnie Spector by John Lennon and George Harrison in 1971, convincing their mutual producer it was a better stage name.
Thus, the singer was given a moniker that has stayed with her in the decades following the hits that made her famous, but a name not associated with those hits. An artist like Cat Stevens can change his name to Yusuf Islam, but d.j.s still refer to that performer by his former title, while "Be My Baby" has become "Ronnie Spector's tune", the name change appropriate and fitting as she, like Tina Turner and The Righteous Brothers, were able to step out of the omnipotent shadow of producer Phil. Her musical work on Colpix and Dimension records before Phil Spector produced his future wife, the five Top 40 hits and fabulous Christmas recordings that made her a household name, and her relationship prior to her 1968 marriage to the record producer which kept her from participating in the 1966 final tour by The Beatles, are all essential elements of her story, but it is Ronnie Spector's attitude and voice that took that all important genre known as "Girl Groups" to another level, to a higher level.

There were The Chiffons and The Shangri-Las and The Shirelles, The Toys, The Jelly Beans and The Marvelettes, but Ronnie Spector was the first (a few months before The Supremes ) to carve an identity that made the lead singer synonymous with her band. The Supremes, and Diana Ross especially, owe much to Ronnie's stance and persona. Yes, Goldie & The Gingerbreads were issuing that subtle angst in Europe but without someone like Phil Spector's guidance to bring them to the transistor radios of America they remained cult heroines. The eventual teaming of Genya Ravan a.k.a. Goldie of The Gingerbreads as the producer of Ronnie for 1980's underground classic Siren lp made that disc as vital historically as it was musically. Veronica said of Ravan in her book "Genya was a strong producer who knew what she wanted, just like Phil." But Ronnie also indicated that she didn't like the new wave/underground rock direction Genya put her in.Ronnie Spector
However, in another testament to Ravan's industry insight, the sound which the former singer of Ten Wheel Drive also gave to The Dead Boys and her own Urban Desire album was at and on the cutting edge, finding the audience Ronnie has played to for over two decades after the Siren album was released. That alternative rock crowd embraced her as more than a princess, as the Queen of the Underground. When she performs the tune Billy Joel wrote in her honor, "Say Goodbye To Hollywood}, she rocks with the best of them. When Joey Ramone produced her She Talks To Rainbows EP featuring Johnny Thunders' "You Can't Put Your Arm Around A Memory" and "Don't Worry Baby", the tune Brian Wilson wrote before Billy Joel was inspired by The Ronettes, it verifies conclusively that Genya Ravan had insight to the market that would embrace girl group pioneers.

On records with The Beatles, Jimi Hendrix, Alice Cooper, Eddy Money, and so many others, included in film soundtracks to Good Fellas, Mean Streets, Just One Of The Guys, Quadrophenia and many more, Ronnie Spector's influence and sound continues to have a positive ripple effect throughout the music industry.

JOE VIGLIONE


REVIEWS: allmusic.com

Ronnie Spector

Unfinished Business 1987


Ronnie Spector

The Last of the Rock Stars 2006


Ronnie Spector

Dangerous (compilation from Raven)

Ronnie Spector's vocal work on the "Miami" Steve Van Zandt tune "Baby Please Don't Go" is amazingly perfect, overshadowed only by the majesty of the opening track, "Say Goodbye to Hollywood." The two songs were on a 1977 Epic single and they are the highlight of this superb collection released by the Raven label out of Australia. Dangerous is a compilation that features the various sides Spector cut for Columbia. The Top Five hit "Take Me Home Tonight," released in 1986 as a duet with Eddie Money, was the only one of his ten hits to land that high on the charts. Read more here:

Last Updated on Tuesday, 06 October 2009 18:43



GENRES: Girl Groups vs Space Age Bachelor Pad PDF Print E-mail
Written by Joe Viglione
Sunday, 04 October 2009 12:56

Defining Northern Soul! Defining Space Age Bachelor Pad! Those genres have their sub-genres, but there's no doubt what the GIRL GROUP GENRE is about. It is NOT Eddie Holman singing "Hey There Lonely Girl" or Little Joe Cook with "Peanuts" in falsetto or Frankie Valli & The Four Seasons with "Big Girls Don't Cry" or "Lightning Strikes" by Lou Christie. Guys with falsettos are Guys with Falsettos while Girl Groups, unlike Ru Paul, are the Real Thing.





The Marvelettes PDF Print E-mail
Written by Joe Viglione
Sunday, 04 October 2009 13:33

Genre: Girl Groups

Editorial Note: Ahh, great thing about being editor, I pull out my old scribblings and get to post them again.

DAUGHTERS OF THE MARVELLETES (not really!) invade Medford, Massachusetts

New Marvelettes bring show biz flair to Medford's Chevalier Theater By Joe Viglione It's been 44 years since Gladys Horton and Wanda Young brought their magic to the radio via the Motown hits "Twistin' Postman" and "Beechwood 4-5789," and as the All Media Guide's Richie Unterberger notes, they were, indeed - the label's purest girl group efforts. Unterberger also states that The Marvelettes went through "five different lineups", a trademark like the band "Chicago", created to be faceless. This could be lineup #7 or 8, and as this writer noted to an usher, featured gals who probably weren't born when the original hits rocked the nation. That's why I am surprised at how good the New Marvelettes were Friday night, October 15th, at the gorgeous and under-appreciated Chevalier Theater. The ladies who graced the stage, resplendent in flowing red gowns, had a real sense of showmanship - and an ability to work a crowd. Tracie singing Sam Cooke's #1 1957 hit, "You Send Me", and Angie doing the chores on "Forever" might be seven times or more removed from Gladys & Wanda, but they've got the pipes and the girl group shtick down pat.

The purist in me might want them to call it "A Tribute To The Marvelettes" and maybe feature some video footage of the original pioneering women - or maybe go through some history during the onstage patter to give the audience a sense of the band's evolution. What the audience got was a first class re-enactment of the sound and feel of the 60s, even bringing a couple of gentlemen from the audience up to the stage - a major component of "Don't Mess With Bill" and a hit with the local crowd. As Laurence Fishburne said to Keanu Reeves in "The Matrix" - "What is real?" The backing ensemble consisted of Ted Stevens on guitar (of Rhode Island's "Ted & The Turbos"), Todd Stiles on keyboards, "Mad" Mike on drums, and musical director Dave Backer on bass. This particular group has backed the current versions of The Drifters, The Coasters, The Platters, even doing a tour with Chuck Berry in Russia - and they did a short three-song set before the headliners came out consisting of "Summertime Blues", "Last Kiss" and "Willie And The Hand Jive".

Backstage the musicians seemed rather reserved and not really wanting to talk about the gig or The Marvelettes. They provided an adequate re-creation of the hits which was played at a decent volume. The Al Vega Trio opened the program and the 83 year old local legend actually stole the show. The keyboards of Vega are accompanied, according to http://www.johnnysouza.com/AlVega.html , by bassist Dave Zox and drummer Harvey Brower. A singer named Steve joined them to perform "Fever" and other titles. Consistent and entertaining they did the hallowed halls of the Chevalier justice.

Warren Scott, equally legendary Boston area agent who used to book The Channel nightclub, brings shows to the room through his Boston Event Works company. With Scott and other New England area mainstays like David James of Concert Sound & Lighting working The Chevalier, this comfortable and atmospheric auditorium has a chance to be one of the major venues outside of Boston proper and inside the 128 belt. Shirley Alston Reeves, the original lead singer of The Shirelles, is going to be at the venue on Saturday November 13, 2004 singing "Soldier Boy", "Dedicated To The One I Love", "Will You Still Love Me Tomorrow" and her other hits. Tickets are $18.50 advance, $20.50 day of the show at the box office or through ticketweb (866)468 7619. The Chevalier Theater is located at 30 Forest St. next to the Post Office, Exit 32 off Route 93. Their concertline is 781 391 SHOW. (C)2004 http://www.JoeViglione.com

Joe Viglione is the producer/host of Visual Radio-Television, a program which taped and broadcast for many years from TV3 Medford. He has written thousands of reviews for AMG, The All Media Guide, and is editor of Gemmzine.


LINKS
Al Vega Trio http://www.alvegatrio.com/

Last Updated on Sunday, 04 October 2009 13:42




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